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明星资讯腾讯娱乐2019年10月15日 00:10:18
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First lady Michelle Obama knows she has star power, and she has used it four years to champion her causes of fighting childhood obesity and helping military families.美国第一夫人米歇尔·奥巴马知道自己拥有明星影响力,在过去四年中她一直利用自己的这一影响力来持她抗击儿童肥胖和帮助军人家庭的慈善事业But now that she has successfully made it through the last political campaign her husband, President Barack Obama, the first lady is also having fun with her popularity - raising questions over whether she has gone too far in becoming a pop culture icon.如今她已经成功地帮助丈夫奥巴马总统赢得了最后一次竞选,这个第一夫人也开始享受自己的高人气带来的乐趣——这让人们质疑她是否在流行文化偶像这条路上走得太远了Her surprise appearance at the Academy Awards - where she was beamed in from the White House dressed in a sparkling evening gown to announce the Best Picture award - provided ammion her critics.她在奥斯卡颁奖礼上“意外现身”的视频——身穿耀眼的晚礼在白宫宣布最佳影片奖的得主——给批评人士们提供了话柄The first lady has enjoyed a steady positive approval rating over the past four years, even at times when her husband sank in the polls.这位第一夫人在过去四年里好评率稳步上升,即使在她丈夫的民调持率陷入低谷时也不例外But the Oscar appearance - coming on the heels of the ;mom dance; that she did with late night comedian Jimmy Fallon, which quickly went viral on the Internet - sparked a debate on the proper role of a first lady.然而,她在奥斯卡的亮相——此前她刚和晚间脱口秀节目的喜剧演员吉米?法伦一起跳过“老妈热舞”,该视频在网上迅速走红——引发了人们对第一夫人恰当角色的讨论Washington Post columnist Courtland Milloy, who often writes about minority issues, described Obama Oscar appearance as ;unbecoming frivolity; and urged the first lady to ;raise her game; and take up a more expanded role in the second term championing more serious causes.《华盛顿邮报经常撰写有关少数种族问题文章的专栏作家考特兰?米洛伊将奥巴马夫人亮相奥斯卡评价为“不得体的轻浮”,他敦促第一夫人“提升自己的层次”,在奥巴马第二任期所倡导的重要事业中发挥更大的作用;Enough with the broccoli and Brussels sprouts,; Milloy wrote this week in the Washington Post. ;Where is that intellectually gifted Princeton graduate, the Harvard-educated lawyer and mentor to the man who would become the first African American president of the ed States?;米洛伊本周在《华盛顿邮报中写道:“关于吃花椰菜和球芽甘蓝的宣传,我们已经听够了那个智力超群的普林斯顿大学毕业生、毕业于哈佛的律师、美国首任非洲裔美国总统的良师益友到哪去了呢?”His column sparked hundreds of comments, ranging from people who thought Obama was doing a great job raising awareness about the childhood obesity problem to others who thought she was trying too hard to be like a Hollywood star.他的专栏文章引发了数百条,有人认为奥巴马夫人在提高儿童肥胖问题意识方面做得很棒,也有人认为她太努力地想使自己看起来像好莱坞明星The first lady said she was not surprised by the controversy over her Oscars appearance, but said she would use all ms of media to get out her message and would reach out to all demographics - including filmmakers who could help with her efts to introduce children to arts and culture.第一夫人表示,她对现身奥斯卡引发的争议并不惊讶,不过她说她会用各种形式的媒体来传达她的信息,并会向各界人士请求援助——包括能通过艺术和文化作品帮助她影响孩子的电影制片人;Anyone in this position has a huge spotlight,; Obama told a small group of reporters traveling with her on a three-city tour to promote her Let Move program to fight childhood obesity.在她前往三个城市宣传抗击儿童肥胖的“动起来”活动期间,奥巴马夫人告诉随行的一小拨记者说:“任何处在这个位置的人都会受到极大关注”;Weve always thought about that spotlight. And taking it, while it looking at you, to stand in front of something good so it shines on that too,; Obama said, bee jumping and dancing with more than 6,500 kids gathered in Chicago to highlight the importance of daily exercise.奥巴马夫人说:“我们总是想着那个注视着自己的聚光灯把这个聚光灯吸引过来,自己和美好的事物站在一起,让它们也能被照到”说完她又和聚集在芝加哥的6500多名小孩一起蹦蹦跳跳,突出日常锻炼的重要性 7973

  

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  When the history of America’s onscreen visions of China is written, from Charlie Chan to “House of Cards,” it may be that a turning point came with a film that had almost nothing to do with China at all. Instead, it was one about the Middle East.从陈查理(Charlie Chan,美国作家厄尔·德尔·比格斯笔下的华人探长)到《纸牌屋,在美国屏幕上中国形象的历史上,可能称作是转折点的是一部几乎与中国无关的电影相反,它是一部关于中东的电影Representations of China began to appear on the American movie screen in the nineteen-twenties. Back then, the country was generally cast in the role of a beguiling, reflective, and fundamentally dangerous counterpart. In “The Bitter Tea of General Yen” (1933), a warlord on the make casually orders the execution of his captives, then justifies it to his comely American guest as a more humane solution than letting them die of starvation in prison. Consistent with the clichés of the day, the general had a lascivious streak—he foists “sing-song” girls on an American missionary—but he remains a man of depths; he sweetly recites love poems and waxes philosophical to the heroine.中国的代表形象最早出现在美国电影屏幕上是二十世纪二十年代当时,中国通常被扮作是欺骗性的、深思熟虑的、完全危险的对应人物在《袁将军的苦茶(1933)电影中,追求名利的一名中国军阀随意下令对他俘虏的犯人执行死刑,并且还向他清秀的美国客人明这是比让他们在监狱里饿死更人性化的解决方案如同当时的陈词滥调一样,这名军阀也有好色的品性,他蒙骗美国传教士的歌女,但他仍然是一个有深度的人,他也会温柔地朗诵爱情诗,或向女主角谈论哲学To a viewer with no knowledge of China, the country, which was then in a state of upheaval, seemed intrinsically menacing. “No attempt was made to understand why the wars occurred, nor the role of imperialism in precipitating the crisis, which led to the downfall of the Manchu dynasty and the ensuing anarchy,” Richard Oehling, who writes on film and history, observed in an essay. Worse, he noticed, many of the films on the subject “suggest or imply an alien civilization.”对于不了解中国的观众来说,当时正处在动荡状态中的这个国家似乎本质上很险恶“没有人试图去理解为什么会发生战争,也没有提及导致危机的帝国主义角色,而这场危机最终导致了满清王朝的覆灭和随之而来的无政府状态”写电影和历史的理查德·厄尔林(Richard Oehling)在一篇文章中写道他还注意到,更糟的是,很多关于这一主题的电影“显示或暗示一种异域文明”After a brief interlude around the Second World War, when the role of villain was assigned to Japanese characters, the American renderings of Asia drifted back to China, without much sophistication acquired along the way. There was “The Manchurian Candidate” (brainwashers); Wo Fat, of “Hawaii Five-O” (general turned super-criminal); and Julius No, in James Bond’s “Dr. No” (the “unwanted child of a German missionary and a Chinese girl” who eventually meets his end when he is buried under a giant pile of guano). Rarely were the actors any more genuinely Chinese than the characters. Charlie Chan was played by Warner Oland, a Swede. Wo Fat was portrayed by Khigh Dhiegh, who was a mix of American, Egyptian, and Sudanese.在第二次世界大战中反派角色被分配给日本这样一个短暂的插曲之后,美国对亚洲的描绘未经多少变化就又回到中国比如说《满洲候选人(The Manchurian Candidate)中的洗脑者,《天堂执法者(Hawaii Five-O)中的吴法(超级罪犯)和詹姆斯·邦德的《诺士(Dr. No,“一个德国传教士和一个中国女孩遗弃的孩子”最终被埋葬在一个巨大的鸟粪堆而结束其一生的故事)中的朱利叶斯这些演员中却很少有完全符合角色的中国人陈查理的扮演者是华纳·欧兰德(Warner Oland),一个瑞典人刻画了吴法角色的则是Khigh Dhiegh,一个美国、埃及和苏丹的混血儿A decade and a half after the end of the Cold War, as China’s economy thrust the country into the role of an emerging superpower, the narrative took a new turn. Instead of being depicted as mysterious or thuggish, the Chinese characters in “Syriana” (), the Middle East thriller directed by Stephen Gaghan, were framed as midable, sophisticated opponents. A Chinese delegation seeking natural-gas drilling rights from an Arab prince arrives speaking fluent Arabic, in contrast to Matt Damon’s American energy analyst, who knows only a few pleasantries. As a plot element, it was brief and secondary, but it was unprecedented, as far as I could tell, and it gave way to a new generation of onscreen Chinese villains: in “Batman: The Dark Knight” and the latest Bond, “Skyfall,” in which our hero battles the usual onslaught against spectacular futuristic backdrops in Shanghai and Macau.冷战结束十五年后,随着中国经济的增长推动该国成为一个新兴超级大国的角色,叙述模式发生了一个新的转折中国不再被描绘成神秘的或嗜杀成性的,由斯蒂芬·加汉(Stephen Gaghan)导演的中东惊悚片《辛瑞那(Syriana,年)的中国形象是被构建成强大的、老谋深算的对手向阿拉伯王子寻求天然气钻探权的中国代表团到达时讲着一口流利的阿拉伯语,而相比之下,马特·达蒙的美国能源分析师只会用阿拉伯语寒暄几句作为剧情的元素,这个细节是短暂而次要的,但却是前所未有的据我所知,旧形象让位给新一代的荧幕中国恶棍:在《蝙蝠侠:黑暗骑士(Batman: The Dark Knight)和最新的邦德电影《0:大破天幕杀机(Skyfall)中,美国英雄依然对战来自敌人的猛攻,但却是在上海和的壮观的未来主义背景之中With the Netflix series “House of Cards” (adapted from the British television show of the same name), the onscreen China has taken another turn. I watched the first season with trepidation: at the time, I was living in Beijing and preparing to move to Washington, D.C. (Are congressmen really lurking in parking garages waiting to snuff each other out?) It’s more relaxing, a year later, to watch Frank Underwood as one of his neighbors. (Members of Congress, it turns out, don’t lurk in parking garages. They Uber.)在Netflix的美剧《纸牌屋(改编自英国电视同名节目)中,屏幕上的中国形象已经又产生了一个转折我看第一季时提心吊胆:当时我正住在北京,并准备搬到华盛顿特区(难道国会议员真的潜伏在车库等待着消灭掉对方了吗?)一年后看着弗兰克·安德伍德(《纸牌屋中凯文·斯派西扮演的一位报复心极强的中年议员)成为他的一名邻居时真是令人松了一口气(事实明,国会议员并不潜伏在车库里他们都用Uber打车)When the “House of Cards” plot turns to China, the themes are contemporary and plausible: cyber espionage, rare earths, territorial disputes, and a cunning, meditative, libertine plutocrat who plays on his connections at the highest ranks in Beijing. By the low standards of cinematic history, the depiction of China rings true enough—the show is a hit, with subtitles, in China—and it does a fine job of capturing a moment in time when it can be difficult to know if a man like the character Xander Feng, the emissary from Beijing, speaks the leaders whom he purports to represent. Retiring the image of a monolithic Chinese government is one of the show’s innovations.当《纸牌屋的情节转向中国时,主题是当代的且可信的:网络间谍,稀土,领土争端,以及一个狡猾的、沉思的、放荡的富豪,后者依靠他在北京高层中的关系网络发挥作用照电影史上的低标准来说,对中国的描绘足够真实——这部美剧(带字幕)在中国走红了——而且它捕捉到了精的瞬间,即可能很难知道一个像角色冯赞德(Xander Feng)这样的男人,一名来自北京的使者,是否为其所声称代表的领导辩护放弃完全统一的中国政府形象是该剧的创新之一But, now that we’ve mastered the latest incarnation of the Chinese onscreen villain, maybe the time has come popular American productions to explore other elements of the modern-day Chinese story: the dramas of aspiration and social mobility; the struggles around identity and patriotism and who speaks the country; the fights over education, the environment, and employment.然而,现在我们已经掌握了最新的中国在荧幕上的恶棍形象,也许已经到了美国流行电影探索现代中国故事的其他要素的时候了:关于抱负和社会流动的戏剧;围绕身份、爱国主义和谁为国家发声的斗争;为教育、环境和就业而奋斗If those plotlines sound familiar to Americans, they should; never have the engines of middle-class drama in China and America had so much in common. the moment, though, it’s refreshing to watch a production in which it is the Americans, not the Chinese, who are expected to be beguiling, reflective—and fundamentally dangerous.如果这些主要情节在美国人听来感到很熟悉的话,事实也的确如此中美两国的中产阶级戏剧的设计从未有过如此多的共同点虽然就目前而言,看一部由美国人,而非中国人扮演欺骗性的、深思熟虑的、完全危险的角色的剧还是令人耳目一新的 87很多女人都希望能有一个帅气、体贴、任劳任怨、精于购物的男人陪伴购物有这样一个完美男人陪伴,女人购物一定兴致高昂为了迎合这种需求,现在美国等国家正在兴起一种称为“购物男伴(shopping boyfriend)”的职业,据说非常受女主顾的欢迎,提供这种务的公司自然也生意兴隆Shopping boyfriend, a new career, refers to a man who is hired to accompany a lady during shopping. 购物男伴是个新职业,是指那些被女人雇用、陪伴女人购物的临时男伴 1935

  The race is on the Oscar best eign-language film, and the Carpetbagger’s cousin in Europe has been tracking the contest from afar, after adjusting her glasses to subtitles a dozen languages and wearing her fairly sensible heels to the red carpet at Cannes.奥斯卡最佳外语片的角逐已经开始,时报客the Carpetbagger的作者在欧洲的表亲正在跟踪这场竞争之前,她扶了扶眼镜,读了十几种语言的字幕,穿上高度适中的高跟鞋去往戛纳红毯Among the 81 contenders this year are a Hungarian Holocaust film, a Romanian western, a Chilean film about errant Catholic priests, a Franco-Turkish family drama and a Taiwanese action film featuring a fierce woman who knows how to wield a sword.在今年的81部竞争影片中,有一部关于匈牙利犹太大屠杀的影片、一部罗马尼亚西部片、一部关于出轨的天主教神父的智利影片、一部法国-土耳其家庭情节片,以及一部台湾动作片,主角是一个擅长舞剑的凶狠女人This month, a selection committee inside the Academy is expected to announce a shortlist of films from nine countries, which a second committee will eventually narrow down to five. The entire Academy then votes the winner, to be announced at the Oscar ceremony on Feb. .本月,学院内部的一个评审委员会将宣布一个短名单,内容为九部来自不同国家的电影,之后第二个委员会将把名单缩减为五部最后由整个学院评选胜出者,并在月日的奥斯卡颁奖礼上宣布With so many films in the mix — most of which have not yet been released in the ed States — it is difficult to game the race. But some contenders have been well received at the Berlin, Cannes, Toronto, Telluride and New York film festivals, generating positive word of mouth.这些电影当中大多数尚未在美国上映,片数众多,竞争也格外激烈但某些参赛影片已经在柏林、戛纳、多伦多、特柳赖德和纽约电影节上获得不俗的反响,受到好评On Thursday, the Golden Globes’ eign-language nominees were announced, and sometimes this list can indicate Oscar chances. The Globe finalists are “Mustang” (France), “Son of Saul” (Hungary), “The Club” (Chile), “The Brand New Testament” (Belgium) and “The Fencer” (Finland).星期四,金球奖宣布了最佳外语片提名,有时候,这个名单可以预测奥斯卡奖的走向金球奖的决选名单包括法国的《野马(Mustang)、匈牙利的《索尔之子(Son of Saul)、智利的《神父俱乐部(The Club)、比利时的《超新约全书(The Brand New Testament)与芬兰的《剑客(The Fencer)“Mustang,” by the Franco-Turkish director Deniz Gamze Ergüven, is an energized, politicized drama about five sisters in rural Turkey who rebel against a family that seeks to rein them in and marry them off. In The New York Times, Stephen Holden called it a “stunning debut feature.” In an interview with The Times in Paris, Ms. Ergüven said the film sprang from “the desire to tell what it is to be a girl and a woman in Turkey.”《野马由法国-土耳其导演德尼兹·甘兹·埃尔居(Deniz Gamze Ergüven)执导,是一部充满活力,带有政治色的情节剧,讲述土耳其农村的五个姊反抗严格控制她们,并把她们嫁掉的家庭史蒂芬·霍尔登(Stephen Holden)在《纽约时报发表的影评上称,它是一部“惊人的长片处女作”在巴黎接受时报采访时,埃尔居说,这部影片来自“想要讲述身为女孩和女人在土耳其的处境的欲望”The movie, which received strong reviews at Cannes, was filmed in Turkish in Turkey, but it has majority French financing and crew, and so qualified as France’s Oscar submission.这部影片在戛纳电影节获得众多好评,它在土耳其拍摄,使用土耳其语,但资方和工作人员主要来自法国,有资格代表法国参选奥斯卡奖“Son of Saul,” directed by Laszlo Nemes, has also been gaining critical momentum ever since taking the grand prize, or second place, at Cannes — a rare feat a first feature. Set at Auschwitz-Birkenau, the film is about a day in the life of Saul (Geza Rohrig), a Hungarian Jew and member of the Sonderkommando, the Jews ced to work in the gas chambers, as he tries to bury a boy he believes to be his son.《索尔之子由拉斯洛·杰莱斯(Laszlo Nemes)执导,也获得了界的好评,在戛纳电影节上获得了评审团大奖,或者说第二大奖,这个奖项很少授予长片处女作影片故事发生在奥斯维辛集中营,是关于索尔(格扎·罗里格[Geza Rohrig)]饰)人生中的一天,他是个匈牙利犹太人,是纳粹集中营里负责清理毒气室的犹太囚犯分遣队中的一员,他埋葬一个男孩时,觉得他是自己的儿子In an interview at Cannes, Mr. Nemes told The Times that he wanted to move beyond the traditional conventions of Holocaust films, and in particular what he sees as the overly sentimental vision of Steven Spielberg’s “Schindler’s List.” “Son of Saul” will be released in the ed States on Friday. Indiewire deemed the eign-language Oscar race “Hungary’s to lose,” and the film also made the Golden Globe cut.在戛纳接受时报采访时,杰莱斯说,他希望突破大屠杀电影的传统,尤其是史蒂芬·斯皮尔伯格(Steven Spielberg)过于多情善感的《辛德勒的名单(Schindler’s List)《索尔之子将于周五在美国上映Indiewire网站预测奥斯卡最佳外语片归属的文章题为“匈牙利会输的”这部影片也入围了金球奖So did “The Club,” Pablo Larraín’s film about a home defrocked Roman Catholic priests on the Chilean coast. A dark tale of crime and punishment, the film might generate interest in light of “Spotlight,” the award-winning film about the Boston Globe investigation into sexual abuse by priests and the Roman Catholic Church cover-up.巴勃罗·拉腊因(Pablo Larraín)的《神父俱乐部也入围了金球奖,影片讲述智利沿海地区被解除圣职的罗马天主教神父的故事这是一个罪与罚的黑暗故事,可能会引起人们的兴趣,因为影片《聚焦(Spotlight)反映《波士顿环球报(Boston Globe)调查神父性侵事件以及罗马天主教会对此的掩饰同样获得了大奖In an interview with The Times at the Berlin Film Festival, Mr. Larraín said of the predator priests, “I think those guys are more worried to be in the newspaper than to go to hell.” His film is scheduled release in the ed States in February.在柏林电影节上接受时报采访时,拉腊因谈起那些掠食成性的神父们,“我觉得那些人担心上报纸甚于下地狱”他的影片将于月在美国上映Some critics are cheering the Taiwanese filmmaker Hou Hsiao-Hsien’s “The Assassin,” which took the prize best director at Cannes and is one of Manohla Dargis’s best films of . Starring Shu Qi as a female warrior, it takes place amid a power struggle in ninth-century China. Another contender is Radu Jude’s “Aferim!” a 19th-century western about the enslavement of the Roma of Romania. It won the Silver Bear best director at the Berlin Film Festival.有些家看好台湾导演侯孝贤的《刺客聂隐娘,它在戛纳电影节上获得最佳导演奖,亦是曼诺拉·达吉斯(Manohla Dargis)的年最佳影片之一舒淇在其中饰演一个女剑客,故事发生在9世纪中国的一场权力斗争之中另一个竞争者是拉杜·裘德(Radu Jude)的《喝(Aferim!),它是一部发生在19世纪的西部片,讲述罗马尼亚的罗姆人受到的奴役电影在柏林电影节上获得最佳导演银熊奖Also in the running are Argentina’s “The Clan,” Pablo Trapero’s drama about a rugby star pulled into his family’s extortion racket during the country’s military dictatorship in the early 1980s (it won best director at the Venice Film Festival); and Iceland’s “Rams,” a dark comedy about rural sheep farmers written and directed by Grimur Hakonarson. Both films will be released in the ed States next year.竞争影片还有阿根廷的《犯罪家族(The Clan),这是帕布罗·查比罗(Pablo Trapero)的情节剧,讲述世纪80年代初,这个国家处于军事独裁统治期间,一个橄榄球明星把自己的家庭拖入了敲诈勒索的骗局,影片在电影节上获得最佳导演奖;另一部影片是冰岛的《公羊(Rams),这是一部黑暗的喜剧,讲述几个乡村牧羊人的故事,由格里默·哈克纳森(Grimur Hakonarson)编剧并执导这两部影片都将于明年在美国上映There have been strong reviews Brazil’s submission, “The Second Mother,” directed by Anna Muylaert, about a class struggle in Paolo, and Austria’s “Goodnight Mommy,” a creepy drama about twins directed by Veronika Franz and Severin Fiala. Canada’s submission this year is Maxime Giroux’s “Félix amp; Meira,” about an Orthodox Jewish housewife who leaves her husband a secular man.巴西的参选影片《第二个妈妈(The Second Mother)也获得好评,影片由安娜·麦拉尔特(Anna Muylaert)执导,讲述发生在圣保罗的一场阶级观念斗争,此外还有奥地利的《晚安妈咪(Goodnight Mommy),这是一部颓废的情节剧,讲述一堆孪生子的故事,由维罗妮卡·弗兰茨(Veronika Franz)和塞弗林·菲亚拉(Severin Fiala)执导今年加拿大的参选影片是《费利克斯和梅拉(Félix amp; Meira),由马克西姆·吉鲁(Maxime Giroux)执导,讲述一个为了离开丈夫,与不信宗教的男子相恋的东正教犹太家庭主妇的故事A film from Afghanistan, “Utopia,” was disqualified by the Academy since it was deemed to have too much English-language dialogue. (Films must be predominantly in a eign language.)来自阿富汗的电影《乌托邦(Utopia) 因为有太多英语对白而落选学院奖名单(参选影片必须以一种外语为主要语言) 1

  Ryan Murphy adaptation of ;The Normal Heart; is heading to HBO. The film, which stars Julia Roberts, Mark Ruffalo and Matt Bomer, will air in .瑞恩#86;墨菲(Ryan Murphy)根据托尼奖得主、百老汇舞台剧《常在我心间(The Normal Heart)改编的同名电影将登陆HBO电视台这部集合了茱莉亚#86;罗伯茨(Julia Roberts)、马克#86;鲁弗洛(Mark Ruffalo)和马修#86;波莫(Matt Bomer)的影片将于年上映;We are so proud to be involved with this monumental project,” HBO Michael Lombardo said in a statement. “Ryan has assembled an extraordinary cast to bring Larry Kramer’s landmark theatrical achievement to the screen the first time, and we couldn’t be more thrilled to bring this important film to HBO.”“能参与制作这部意义非凡的电影,我们感到由衷的骄傲,”HBO电视台的迈克尔#86;隆巴铎(Michael Lombardo)在一份申明中说,“瑞恩将带领着这个无与伦比的演员阵容,把拉里#86;克莱默(Larry Kramer)这部具有里程碑意义的戏剧首次以电影的形式展现出来能在HBO播放这样一部影片,我们的激动之情溢于言表”Murphy will direct and executive produce the movie based on Larry Kramer 80s play. Jason Blum, Dede Gardner and Dante Di Loreto will also serve as executive producers. The movie is set in New York City in the 80s during the onset of the HIV-AIDS crisis.墨菲将导演这部根据拉里#86;克莱默80年代舞台剧改编的电影,并兼任制片人一职詹森#86;布鲁姆(Jason Blum),迪迪#86;加纳(Dede Gardner),丹特#86;迪#86;罗瑞托(Dante Di Loreto)也将担任该片制片人影片讲述了发生在上世纪80年代纽约城的一场艾滋病危机Roberts will play Dr. Emma Brookner, the paraplegic physician who treats several of the earliest victims of the disease. Ruffalo will take on the role of Ned Weeks, ;who witnesses first-hand the mysterious disease that has begun to claim the lives of many in his gay commy and starts to seek answers.; ;White Collar; star Matt Bomer will play Felix Turner, a reporter who becomes Ned’s lover.罗伯茨饰艾玛#86;布鲁克纳(Dr. Emma Brookner),一名深陷轮椅的医生,她参与到了对这一疾病最早一批患者的治疗中鲁弗洛饰耐德#86;威克斯(Ned Weeks),“在亲眼目睹了这一神秘的疾病夺走许多同性恋者的生命后,他踏上了寻求的漫漫艰辛路”《妙警贼探男星马特#86;波莫饰耐德的爱人记者菲利克斯#86;特纳(Felix Turner) 59。

  

  

  

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